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This is one of those scenes I've painted before, but for me, like Monet's hay stacks or waterlilies..I continue to be inspired by it. It is a place that is close for me to drive to from where I live in Arizona. I have been going there for many years, camping, hiking, and painting this lake from different spots. On this particular piece, I wanted to give priority to design and spontaneous brush work with a minimum of detail. I keyed the painting in from the front bottom and moved up while working back and forth somewhat with "atmospheric perspective" in mind. Then I went back over it, adjusting areas I felt needed more or less. I think I kept it simple and said all I wanted to say.
In the Design, I tried to use all the painting elements in support of the bowl in the distant snow covered mountains. Art rules are made to be broken, but I usually try to follow a few guide lines in the "Sequence" of the painting process. I like to start fast with more emotion and as the painting progresses slow down and put more thought into it. I work Large to Small shapes and brush sizes; Thin (but not runny) to Thick paint; Dark to Light values; Brush work and painting handling Loose to Tight. I always do thumbnails sketches and then a final drawing, and I like to work from a small field study for color information.
This is an AMAZING painting! One of your best!
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